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Nineteen networked surveillance
cameras
and monitors were dispersed throughout the gallery, running a random
sampling
of images from other rooms. For John Toth’s installation "In a Circle",
dancers moved about inside a web of fabric, while live video of
another
troupe in Buffalo, was video-conferenced and projected on the scrims.
Visitors
were also invited to play in the show’s control room, which allowed
them
to test drive the technology." Austin Bunn, The Village
Voice-
October 21, 1997
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